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Library Director Magnus Toren interviewed by Bob Edwards of XMPR Satellite Radio.


Henry Miller (1891-1980) lived in Big Sur between 1944 and 1962.

If you've read Miller, and perhaps some things about Miller, you know the incredibly rich life he lived, the millions of people he touched with his writing, the lasting friendships he had.

Here in Big Sur, the place Miller found during his Air-Conditioned Nightmare search for a place to settle, we have a perfect place to build on, preserve and champion what Miller did. There is a growing collection of material for anyone interested in the literature of this country and we invite people from all over the world to perform, write, sing and experience this place.

Many of Miller's old friends stop by the Library telling stories of Henry's generosity, his inspiring spirit and what his work has meant to them. Those kinds of visits provide some of the highlights of being here.

If you are conducting research on Henry Miller, click here for a directory of libraries and archives with Miller-related holdings.

A short biography of Henry Miller's life.

This short biography, as written by Henry Miller, was published in My Life and Times in 1971.

1920 / 1930 / 1940 / 1950 / 1960 / 1970 

1891
Born in the Yorksville section of Manhattan, New York, NY, December 26th of American parents of German ancestry.  Moved to Brooklyn in first year.


A 1906 postcard of Williamsburg Bridge, which connected Brooklyn to Manhattan's Lower East Side upon its completion in 1903. Then, recent immigrants were happy to flee the overcrowded LSE for Williamsburg. Now, hipsters rejoice.

1892-1900
Lived in the streets of Williamsburg, Brooklyn, known as the 14th Ward.


1901
Moved to "the street of early sorrows" (Decatur Street) in the Bushwick section of Brooklyn.


A debonaire Miller at age 4.

1907
Met first love, Cora Seward, at Eastern District High School, Brooklyn.



1909
Entered City College of New York and left after two months -- rebelled against educational methods.  Took job with Atlas Portland Cement Company, financial district, New York.  Began period of rigorous athletic discipline that lasted seven years.


1910
Began affair with first mistress, Pauline Chouteau of Phoebus, Virginia, a woman old enough to be my mother.



1913
Traveled through the West.  Worked as a ranch hand in effort to break away from city life.  Met Emma Goldman, the celebrated anarchist, in San Diego -- a turning point in my life.

Mugshot of Emma Goldman, certified badass.

1914
Back in New York, worked with father in his tailor shop; tried to turn business over to the employees.  Met Frank Harris, my first contract with a great writer.


1917
Married Beatrice Sylvas Wickens of Brooklyn, a pianist.


1919
Daughter born, named Barbara Sylvas, now known as Barbara Sandford.


1920
Back to top
After working several months as a messenger, became employment manager of the messenger department, Western Union in New York.


1922
Wrote first book, Clipped Wings, during three weeks' vacation from Western Union duties.


1923
Fell in love with June Edith Smith while she worked in a Broadway dance palace.

June Smith was dubbed by Anais Nin "the most beautiful woman in the world."

1924
Left Western Union, determined never to take a job again, but to devote entire energy to writing.  Divorced first wife and married June Smith.


1925
Began writing career in earnest, accompanied by great poverty.  Sold prose-poems, Mezzotints, from door to door.


1927
Opened a speak-easy in Greenwich Village with wife June.  while working Park Department, Queens, compiled notes for complete autobiographical cycle of novels in 24 hours.  Exhibited water colors in June Mansfield's roman Tavern, Greenwich Village.


1928
Toured Europe for one year with June on money given to her by an admirer.


1929
Returned to New York where the novel This Gentile World was completed.


1930
Back to top
Returned to Europe alone, taking ms. of another novel which was lost by Edward Titus, editor of This Quarter, Paris.  Left New York with ten dollars loaned by Emil Schnellock; intended to go to Spain but after staying in London a while when to Paris and remained there.


1931-1932
Met Anais Nin, the writer, in Louveciennes.  Began writing Tropic of Cancer while walking the streets and sleeping where possible.  Worked as proof-reader on the Paris edition of the Chicago Tribune.  Taught English at Lycee Carnot (Dijon) during the winter.

Anais Nin, the woman whose diaries launched a thousand feminisms.

1933.
Took apartment with Alfred Perles in Clichy and visited Luxembourg with him.  The Black Spring period; great fertility, great joy.  Began book on Lawrence which was never finished.  June returned to Europe, but after a brief stay asked for a divorce and left.


The bustling Place de Clichy of the 1930s

1934
Moved to #18 Villa Seurat on the same day that Tropic of Cancer was published -- a decisive moment.  The original ms., rewritten three times, was three times as long as the published work.  Divorced from June in Mexico City by proxy.


1935
Aller Retour New York published in October.  Met Conrad McCormand, the astrologer.  Began the Hamlet correspondence with Michael Fraenkel in November.  First edition of Alf Letter appeared in September.


1936
Visited New York again -- January to April.  Practiced psychoanalysis.  Began correspondence with Count Keyserling after reading his Travel Diary, Black Spring published in June.

Sigmund Freud, father of psychoanalysis, once wrote that "Time spent with cats is never wasted."

1937
Momentous meeting with Lawrence DurrellScenario published with illustration by Abe Rattner.  Began publication of The Booster with Alfred Perles.  Went to London during the winter for a few weeks to visit Perles.  Met W.T. Symons, T.S. Eliot and Dylan Thomas.

Durrell and Miller, cuddly in their later years

1938
Began writing for French revue, Volontes, in January, the publication month of Money and How It Gets That Way.  Second edition of Alf appeared in June; Max and the White Phagocytes published in September.

1939
Tropic of Capricorn published in February, and the Hamlet letters with Michael Fraenkel later in year.  Left Villa Seurat in June for sabbatical year's vacation.  end of a very important period of close association with Anais Nin, Alfred Perles, Michael Fraenkel, Hans Reichel, Abe Rattner, David Edgar, Conrad Moricand, Georges Pelorson, Henri Fluchere, et. al.  Toured southern France.  Left for Athens on July 14, arriving at Durrell's home in Corfu, Greece, in August.  Back and forth to Athens several times, visited some of the islands, toured the Pelopponnessus.  High water mark in life's adventures thus far.  Met George C. Katsimbalis (the Colossus); George Seferiades, the poet, Ghika, the painter, et. al.  Source of regular income stopped with death of Paris publisher (Jack Kahane, the Obelisk Press), the day after war was declared.

Miller in Greece, "the only Paradise in Europe."

1940 Back to top
Returned to New York in February where I met Sherwood Anderson and John Dos Passos.  Stayed with John and Flo Dudley at Caresse Crosby's home in Bowling Green, VA during the summer.  Wrote The Colossus of Maroussi, The World of Sex, Quiet Days in Clichy and began The Rosy Crucifixion.


1941  Made tour of USA accompanied part of the way by Abraham Rattner, the painter, from October 20, 1940 until October 9, 1941.  Met Dr. Marion Souchon, Weeks Hall, Swami Prabhavananda, Alfred Stieglitz, Ferdinand Leger and John Marin.  Father died while I was in Mississippi and I returned to New York.  Left for California in June 1942.  Continued with The Rosy Crucifixion (finished half of it) and with The Air-Conditioned Nightmare (finished about two-thirds).


1943
Made two to three hundred water colors.  Exhibited at Beverly Glen (The Green House), American Contemporary Gallery, Hollywood, with success.

Miller and his watercolors: "The angel is my watermark."

1944
Exhibited water colors at Santa Barbara Museum of Art and in London.  Seventeen or more titles edited for publication in England and America.  Year of fulfillment and realization.  First "successful" year from material standpoint in whole life.  was called to Brooklyn in October due to illness of mother.  Visited Herbert F. West at Dartmouth College, New Hampshire, and exhibited at Yale.  Married Janina M. Lepska in Denver, Colorado, December 18, 1944.  Moved to Big Sur, my first real home in America.  Emil White arrived in May from Alaska to offer his services.  Met Jean Page Wharton, who had a great influence on my thinking.

Miller and Lepska

Miller on White (right): "One of the few friends who never failed me."

1945
Finished Sexus at Keith Evans' cabin, Partington Ridge.  Started translation, which was never finished, of Season in Hell.  Daughter Valentine born November 19.  Bezalel Schatz, Israeli painter, arrived December 26 (my birthday).

The sublime, as seen from Miller's home on Partington Ridge. photo © Magnus Toren

1946
Moved to shack at Anderson Creek in January.  Began work on Into the Night Life book with Schatz.  Also began book about Rimbaud:  The Time of the Assassins.  Met Leon Shamroy who eventually bought over 30 of my water colors.  Received news from Paris that 40,000 dollars had accumulated to my credit and which I neglected to collect.  Jean Wharton offered us her home on Partington Ridge, to pay for whenever we could.


1947
Took possession of Wharton's house on Ridge in February.  Began writing Plexus, Into the Nightlife completed.


 

Lawyer and civil rights activist Elmer Gertz in front of Miller's home on Partington Ridge. photo © Magnus Toren

1948
Wrote The Smile at the Foot of the Ladder.  Son Tony born August 28.


1949
Finished Plexus.  Began writing The Books in My Life.


1951
Back to top
Separated from wife Janina Lepska; the children went to live with her in Los Angeles.  Finished The Books in my Life.

1952
Eve McClure arrived April 1 to live with me.  Began writing Nexus.  Divorced Janina Lepska.  Left for tour of Europe with Eve on December 29.  Arrived in Paris for New Year's Eve.


1953
Big year - best since Clichy.  Invited to stay at home of Maurice Nadeau, former editor of Combat and chief organizer of the Defense of Henry Miller.  Visited Rabelais' house outside Chinon, then to Wells, England to see Perles and wife.  Took in Shakespeare's house at Stratford-on-Avon, with Schatzes.  Flying visit to John Cowper Powys in Corwyn, Wales.  Back to Paris.  Returned to Big Sur at the end of August.  Married Eve McClure in Carmel Highlands, chez Ephraim Doner, in December.

Francois "I drink no more than a sponge" Rabelais

1954
Alfred Perles arrived in November to write My Friend Henry Miller.  Traveling exhibition of water colors in Japan.  Began writing Big Sur and the Oranges of Hieronymus Bosch.


1955
Barbara Sandford, daughter by first marriage, came to see me; hadn't seen her since 1925.  Perles left for London in May.  Had visit from Buddhadeva Bose of Calcutta, Bengali poet.  Wrote Reunion in Barcelona.


1956
Left for Brooklyn in January with Eve to take care of my mother who was dying.  While there met Ben Grauer of NBC and made recording Henry Miller Recalls and Reflects.  Returned to Big Sur.  Collection of short pieces translated and published in Hebrew - Hatzoth Vahtzi (Half Past Midnight).  Finished Big Sur and the Oranges of Hieronymus Bosch book.

Hieronymus Bosch - ripe for the pickin'

1957
Rewrote Quiet Days in Clichy upon recovery of ms., which had been lost for 15 years.  Exhibition of water colors at Gallery One, London.  Completely rewrote The World of Sex for publication by Olympia Press Paris.  Exhibition of water colors in Jerusalem and Tel Aviv.  Began writing Lime Twigs and Treachery but abandoned it to resume work on Nexus.  Elected member of National Institute of Arts and Sciences.


1958
Continued work on Nexus.


1959
Finished Nexus in early April.  Left for Europe with Eve and children on April 14.  Rented studio on Rue Campagne-Premiere, Paris, for two months.  Visited Danish publisher on trip to Copenhagen with children; Gerald Robitaille acted as "governess."  First meeting with Antonio Bibalo, composer of opera The Smile at the Foot of the Ladder.  Returned to Big Sur n the middle of August.  Wrote the three letters contained in Art and Outrage (Perles-Durrell).

"Floating, however, is not drifting. To float requires a kind of internal balance, to drift smacks of directionlessness."
-- Alfred Perles, shown here with Miller

1960 Back to top
Wrote To Paint is to Love Again.  Left for Europe April 4 to attend Cannes Film Festival as one of the judges.  Spent a few days in Paris, then to Hamburg to visit Ledig-Rowohlt in Reinbek.  There met Renate Gerhardt for the first time.  After traveling in France and Italy, returned to Big Sur.  Returned again to Europe.  At Rowohlt Verlag, Reinbek, wrote preface to new edition of Elie Faure's History of Art (Gallimard) and several minor pieces, including one in (crazy) German called Ein Ungebumbelte Fuchselbizz for a little review called Rhinozeros.  Also did drawings and water colors for editor of the review, Rudolf Dienst.  Made a number of water colors and played much ping pong at Rowohlt Verlag.  With Ledig and others visited Molln (Til Eulenspiegel's birthplace) and the Luneberg Heide, Bremen and other places.  Over Christmas holidays wrote first draft of Just Wild About Harry, chez Renate Gerhardt.


1961
Toured Germany, Austria, Switzerland, Italy, Portugal and Spain.  Visited Marino Marini, the famous sculptor, who did my head in bronze.  Returned to Pacific Palisades from London in November.  In this year Grove Press published Tropic of Cancer.


1962
Began volume two of Nexus while in Pacific Palisades.  Took trip to London to visit Perles and made tape with him for Canadian B.C. (television).  Visited Ireland with him and his wife for a month.  Then on to Paris to visit old and new friends.  Went to Berlin where I made ten copper plate etchings and more water colors at home of Renate Gerhardt.  Returned to New York at end of May.  Received final decree of divorce from Eve in June.  Back to Pacific Palisades in July.  Left for Edinburgh middle of July to attend Writers' conference.  Met Durrell there and his friend Dr. Raymond Mills.  Made tape with Durrell for B.B.C. Radio, Geoffrey Bridson interviewing.  Left with Durrell for Paris where we made readings for recordings from our books (for La Voix de l'Auteur).  The two Tropics were published in Italian (from Switzerland) and Cancer in Finnish, immediately suppressed.  Also Cancer in Hebrew, in two thin paperback volumes.  Capricorn published by Grove Press.  Returned to Pacific Palisades end of November.


1963
Cancer published in England by John Calder - great success.  Wrote five or six prefaces for other authors' books:  Jack Bilbo, H.E. Bates, George Dibbern and so on.  Also text for Anne Poor's drawings of Greece, published by Viking Press.  Capricorn published by Viking Press.  Capricorn issued in paperback by Grove Press and A Private Correspondence, with Lawrence Durrell, (Dutton) and Black Spring (Grove Press).  Began making silk screens with nuns at Immaculate Heart College, Hollywood.  Made 115 water colors from March to end of July.  Moved to Ocampo Drive in Pacific Palisades in February.  Contracted for film of Tropic of Cancer with Joe Levine.  Just Wild About Harry published by New Directions, New York.

The handsome James Laughlin, founding publisher of New Directions

1964
Henry Miller on Writing published by New Directions, New York.


1965
Water color exhibition at Westwood Art Association, Los Angeles.  Death of Eve, my third wife.  Production of the opera The Smile at the Foot of the Ladder in Hamburg, Germany, in April.  Great success.  Selected Prose published by MacGibbon and Kee (2 vols.), London.  Letters to Anais Nin published by G.P. Putnam's Sons, New York.


1966
Order and Chaos Chez Hans Reichel published by Loujon Press, Las Vegas, Nevada.


1967
The opera The Smile at the Foot of the Ladder produced in Marseilles, France, in French.  The Henry Miller Odyssey film begun by Robert Snyder.  Began study of Japanese with Michiyo Watanabe.  Married Hoki Tokuda on September 10 in Beverly Hills.  Honeymoon trip to Paris in September with Hoki.  Water color show at Daniel Gervis Gallery in Paris.  Returned from Europe to Pacific Palisades.  Water color show in Uppsala Sweden.  Opera, The Smile at the Foot of the Ladder produced in Trieste, Italy, in Italian, in December.

Miller and Tokuda

1968
Lawrence Durrell visited me in Pacific Palisades in March.  Water color show toured Japan.  Collector's Quest, a correspondence with J. Rives Childs, published by University Press of Virginia.  Began My Life and Times by Henry Miller, a visual history, with Bradley Smith.  New edition of To Paint is to Love Again published by Grossman, New York.  This edition includes Semblance of a Devoted Past.


1969
Premiere of The Henry Miller Odyssey at Royce Hall, U.C.L.A.  took trip to Europe in June to observe progress on Tropic of Cancer film.


1970
Back to top
Tropic of Cancer film opened in U.S.  Quiet Days in Clichy film opened in U.S.  Two colored lithographs of my water colors printed and distributed by S. Kubo, Japan.  Insomnia or the Devil at Large published by Loujon Press, Las Vegas, Nevada.  Entretiens de Paris, with Georges Belmont, (radio and television interviews) published in Paris.  Received book of Year Award in Naples for Come il Colibri (Stand Still Like the Hummingbird).  First and only prize I ever received for my literary work.


1971
Just Wild About Harry to be produced in Paris.  Publication of My Life and Times by Henry Miller by Playboy Press.

An illuminating fragment of a letter from Miller to Emil Schnellock, his lifelong friend.

Henry's autobiography, as included in My Life and Times, stopped here. Miller spent the next decade continuing to revel in life and love in the Pacific Palisades. He died in the summer of 1980, and his ashes were scattered off the coast of Big Sur.

















What we all hope in reaching for a book, is to meet a man of our own heart, to experience tragedies and delights which we ourselves lack the courage to invite, to dream dreams which will render life more hallucinating, perhaps also to discover a philosophy of life which will make us more adequate in meeting the trials and ordeals which beset us. To merely add to our store of knowledge or improve our culture, whatever that may mean, seems worthless to me.

--Henry Miller





































To be joyous is to be a madman in a world of sad ghosts.

— Henry Miller












































































No one asks you to throw Mozart out of the window. Keep Mozart. Cherish him. Keep Moses too, and Buddha and Lao Tzu and Christ. Keep them in your heart. But make room for the others, the coming ones, the ones who are already scratching on the window-panes.

— Henry Miller






















































































Anaïs, I don't know how to tell you what I feel. I live in perpetual expectancy. You come and the time slips away in a dream. It is only when you go that I realize completely your presence. And then it is too late. You numb me. [...] This is a little drunken, Anaïs. I am saying to myself "here is the first woman with whom I can be absolutely sincere." I remember your saying - "you could fool me, I wouldn't know it." When I walk along the boulevards and think of that. I can't fool you - and yet I would like to. I mean that I can never be absolutely loyal - it's not in me. I love women, or life, too much - which it is, I don't know. But laugh, Anaïs, I love to hear you laugh. You are the only woman who has a sense of gaiety, a wise tolerance - no more, you seem to urge me to betray you. I love you for that. [...] I don't know what to expect of you, but it is something in the way of a miracle. I am going to demand everything of you - even the impossible, because you encourage it. You are really strong. I even like your deceit, your treachery. It seems aristocratic to me.
— Henry Miller (A Literate Passion: Letters of Anaïs Nin & Henry Miller, 1932-1953)


























































































One's destination is never a place, but a new way of seeing things.
— Henry Miller




















































































Certainly paradise, whatever, wherever it be, contains flaws. (Paradisical flaws, if you like.) If it did not, it would be incapable of drawing the hearts of men or angels.
— Henry Miller (Big Sur and the Oranges of Hieronymus Bosch)










































They cut the umbilical cord, give you a slap on the ass, and presto! you're out in the world, adrift, a ship without a rudder.
— Henry Miller




































"Life has to be given a meaning because of the obvious fact that it has no meaning."

-- Henry Miller

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